Tag Archives: short tuesday

Short Tuesday #8: “Circus Girl, The Hunter, and Mirror Boy” by JY Yang

Again this week I returned to Tor.com to peruse their short fiction, and boy am I glad I did. No need to mince words here—this story was fantastic from start to finish, and eeeee, this author has an entire trilogy out as well as more short fiction, and wow wow wow wow wow, did I love this. (Also, can we take a second to appreciate the excellent artwork that accompanies each Tor story? Maybe there’s something to be said about a lack of a book cover being one reason why many readers overlook short fiction.) You can read the short story here…

So everything about this story is great—I have literally zero complaints. (Hell must be freezing over, huh?) The language was perfect: appropriately poetic when it needed to be, sometimes experimental, sometimes matter-of-fact. Plot-wise, we’re thrown into a near-futuristic world much like our own but with witches and spirits, etc. (Sidenote that all these ghouls and ghosties seem to have only existed for twenty years, and I want to know moooooooore in the best way possible. Can we get some longer fiction set in this world? Pretty please?) Yang’s voice keeps us feeling grounded without relying on an info-dump slog, and the main character right away feels like someone we can root for. And our MC has a problem—she’s woken up and every mirrored surface shows not her reflection, but instead a dude she’s aptly named Mirror Boy. She used to see Mirror Boy back in the day as well, but then he went away as her life became more stable. Now he’s back, with some pretty bad news: a serial killer is on the hunt for the MC, ready to make her his latest victim.

Also there’s some very cool ocean-based mythology woven throughout.

Does this seem like a lot for a short story? Don’t worry, I promise that everything wraps up at the end beautifully. Please, read this, then join me in feeling that achey, oh no it’s over feeling. Misery loves company.

Short Tuesday #7: “Blue Morphos in the Garden” by Lis Mitchell

This week I returned to Tor.com for another look at their original fiction. Lis Mitchell’s “Blue Morphos in the Garden” was published just a few days ago, and the beautiful illustration and the promise of magical realism was enough to hook me. You can read the short story right here!

I liked this story quite a bit! It centers around death, tradition, and what it means to be part of a family—don’t want to give anything away, but the family members in the story have a particular heritage relating to death. Every sentence felt purposeful and necessary, and the language itself was beautiful and evocative.

The outer edge of the wing resembles split wood with whorled knots, but each butterfly unfolds itself into a slice of fluttering blue sky and dark stormshadow. Open—sky, closed—wood.

I will say that I liked the story from start to finish, but felt that the opening imagery was the most compelling, I think because after that readers basically have a sense of what’s going on. I don’t want to know all the ins-and-outs with magical realism—would rather preserve a hearty dose of ambiguity. I also thought that Dash, the MC’s partner, was a very weak character personality-wise, leaving me to wonder what the MC sees in him—they seemed very ill-matched, not just because they don’t see eye to eye on the one issue central to the story. I couldn’t help wondering if it weren’t for their child whether they would still be together.

So some interesting things to contemplate while reading this story, coupled with a lot of beautiful imagery and sentence-craft. If magical realism is your thing, definitely give this story a shot.

Short Tuesday #6: “meat+drink” by Daniel Polansky

This week I ventured onto Tor.com to take a look at some of their original short fiction, since the last couple short stories I read in the S.O.S. anthology haven’t been so impressive. I had no idea that Tor even offered original fiction on its website—thanks to the lovely people at Spells, Space & Screams for turning me onto that! I’d heard some positive mention of “meat+drink” previously, so that story jumped out at me immediately. Read it here for free if you’d like…

I really enjoyed this story!!! I mean, it’s vampires, so what’s new, right? 😛 But actually, everything feels new in this story. These are not your typical vampires, just close enough to the edge of humanity to make them sexy. They do not sparkle or glitter—they are instead predatory meat, the memories of their previous lives addled by the vampiric transition, on the hunt for flesh (that’s us humans). (Side note that I haven’t seen the word “flesh” dropped so many times since I read the Interface series by _9MOTHER9HORSE9EYES9.)

It’s really the tone of the story that sets it apart from other vampire fiction, though. The MC has a matter-of-fact, this horror happened then that horror happened type of voice, leading us steadily through a few days in the life of these vampires. It’s sort of a paranormal slice of life, a window into what it’s like to be a monster living in the Baltimore slums.

Oh, and there’s no capitalization, because capitalization is a human construct, I suppose? Or something. I do think the stylistic choice aids in making the narration feel flatter—a good thing for this story. Everything’s a good thing when it comes to this story. Love it—so go read it!

Short Tuesday #5: “Death in the Moonlight” by Archibald Rutledge

This is the third work I’ve read from the short story anthology S.O.S.: Chilling Tales of Adventure on the High Seas. The text can be found here if you want to read it. Just so you know, I found a couple typos in the Field and Stream edition (pretty sure “goulash” is meant to read “ghoulish” lol) but it’s all comprehensible. FYI that there are spoilers down below…

This was another short story that I was just so-so about. I’m not sure exactly when this was first published, but it reads old. I noticed the author relying a ton on adjectives, as if with just one more word the readers will at last fully comprehend how scary this shark was. But I almost always find that heaping on the adjectives ends up taking away from the writing. Give us some run-ons or fragments instead, or maybe a cool simile. We all like a cool simile, right? But instead we just got a ton of vocab. Goulash, indeed.

Speaking of sharks, that’s all the plot was: we were fishing, and there was a shark. A different author could make that amazing, but given that the writing itself wasn’t wowing me, I had a hard time getting swept up in this scene piece. “Death in the Moonlight” sounds cool, but as far as making sharks scary (you know, sharks—those primitive blood-loving death machines with sharp teeth), this didn’t do it for me.

Short Tuesday #4: “Manuscript Found in a Bottle” by Edgar Allan Poe

For this week’s Short Tuesday, I switched away from the Kelly Link collection to a short story anthology called S.O.S.: Chilling Tales of Adventure on the High Seas. This is a pretty obscure anthology, with only one Goodreads rating and two Amazon reviews, so I’m excited to see it passes muster! Sometime soon I’ll tell you how I came to have this book in my collection… but not today.

The first story I read in the anthology was Stephen King’s “Survivor Type.” It’s a grisly tale about a surgeon with copious amounts of heroin marooned on a barren island, but I unfortunately can’t find a legal copy to link to, so I don’t want to dwell on it overlong—just know that I highly recommend it, but readers should have a strong stomach. 😉

The second story I read was Edgar Allan Poe’s “Manuscript Found in a Bottle.” It’s been forever since I read any Poe, so I was excited to jump in, but pretty much from the start I didn’t enjoy this story—heretical, I know, since Poe is an American literary legend. I found the story’s language too dense to be enjoyable (though now I know what simoom means!), and the plot was also… nonexistent? The story is more a description of an immense, fantastical ship than anything else. I can see a tie to modern weird fiction, though, which is unsurprising given that Poe spearheaded the movement.

One last interesting thing to note is that some critics believe Poe meant this story to satirize classic sea tales. Maybe that’s one reason it wasn’t working for me, since I don’t normally read sea tales, let alone older ones. I’m not writing off Edgar Allan Poe, of course—just simply don’t think “Manuscript Found in a Bottle” is the tale for me.

Short Tuesday #3: “The Specialist’s Hat” by Kelly Link

This week I read the third short story in Kelly Link’s Stranger Things Happen, “The Specialist’s Hat.” You can read the short story here… FYI that there are vague spoilers in this review.

Now that I’m three stories into the Kelly Link book, I’m starting to get a pretty good grasp of her style. I went into this anticipating I’d have little to no concrete answers at the end of this story, and I was right, but again I was left with that eerie, uncomfortable, awful things are happening in the background feeling that Link does so well.

One thing I did notice was the emphasis on the concrete, in particular the constant numbers throughout the text. The chandelier has “exactly 632 leaded crystals shaped like teardrops,” the house has eight chimneys, the twin main characters’ game has three rules. (A few things in the story even smell like Chanel No. 5.) And then there’s the difference between “gray” and “grey,” and “dead” and “Dead.” It feels like everything that is happening to the girls is so vague and creepy that they rely (subconsciously or otherwise) on numbers, definitions, and rules to define their slippery reality.

Overall, I can’t say I loved this story; I have the sense that it’s well-written, just not for me, or maybe not for me right now. It might have to do with the fact that I kept getting interrupted while reading, so I had to read the story in a very fractured way. In any case, I think I’m going to set down Stranger Things Happen for a week or two and try something else for next Tuesday.

Short Tuesday #2: “Water Off a Black Dog’s Back” by Kelly Link

This week I read the second short story in Kelly Link’s Stranger Things Happen, “Water Off a Black Dog’s Back.” You can read the short story here… FYI that there are vague spoilers in this review.

I enjoyed this short story, though I do think I connected more with last week’s “Carnation, Lily, Lily, Rose.” I assume that the name of the short story is tied to the idiom “like water off a duck’s back,” meaning that harsh critique doesn’t have any effect on someone, but I’m struggling to connect that idiom to the story. Perhaps something to do with the black dogs’ constant, menacing presence? Or the MC’s steadfast commitment to his clearly odd relationship?

I think the thing I liked most about this story was the penetrating feeling of dread. You can just feel that the MC, Carroll, has embroiled himself in something bad, and you’re left waiting for the other shoe to drop. (My, we’re all about idioms today!) This is another story built more on mood than plot; don’t expect much to make sense, but if you want to read something vaguely uncomfortable and foreboding, I’m getting the sense that Kelly Link is your author.

One thing I’m wondering having read these two Link stories thus far is whether magical realism necessitates a more passive MC. Both MCs in these stories do things, but they’re not exactly the questioning type. Strange things happen (har har), and the characters just sort of mosey along through life, taking the oddities as they come. I haven’t read much magical realism save for Murakami, so it’s hard to say for certain, but I think it’s a trend that I’m noticing.

Short Tuesday #1: “Carnation, Lily, Lily, Rose” by Kelly Link

Well, hello, everybody. This is the first post in my brand new blog series Short Tuesday, where I’ll discuss short written works. I’m not promising to post every Tuesday, since getting posts up for every Thursday and Sunday is already a fair bit of work, but I’ll try to post one of these most weeks. Whenever legally possible, I’ll also provide a link to whatever I’m reading so you can read along. I had a lot of fun reading short story anthologies last year; the idea is for this blog series to help me read more short fiction regularly. I figure it will be nice punctuation to all the long-form novels I read.

I also don’t want to be too legalistic and make this a fiction-only space—maybe I’ll also use this blog series to occasionally discuss essays, nonfiction chapters, and articles. Perhaps I’ll even try some poetry, though, quite honestly, poetry is always the absolute last thing I ever want to read.

So! Here are a few books I’m planning to slowly make my way through. Aside from the Peterson book, there’s a pretty obvious theme: I want to read weird stuff.

As you can see, it’s quite a lot to get through! The Weird, in particular, is a tome worthy of clubbing robbers over the head with. But slow and steady wins the race.


First up in the series is Kelly Link’s “Carnation, Lily, Lily, Rose,” from her short story collection Stranger Things Happen. This has been on my TBR for years, ever since I heard Kelly Link might appeal to fans of Haruki Murakami. Plus I fucking love the cover—is that Nancy Drew? It has to be, right? You can read the short story here…

All right, so having now read the story, I’m not going to pretend I know exactly what’s going on. I do really like the ambiguous, shifting tone, as well as the POV switches. Doesn’t the third person narration almost seem like the man is being observed like an animal in a zoo? This in contrast to much of the first person narration, which felt very honest and sad—the MC missing a life he hardly remembers anything about.

Something I didn’t know until I looked for a little more information on the “Carnation, Lily, Lily, Rose” online is that there is a John Singer Sargent painting by this exact name, and a beautiful one at that. I don’t see the connection myself aside from the twilight dreaminess of both works, but I appreciate the Easter egg.

The story’s tone really reminds me of another short story I read long ago in The Weird, about two people who keep finding mannequins washing up on a beach. Of course, I read that short story more than half a decade ago, so that’s really only my fuzzy impression of it. Maybe I’ll take a look at that one for next week’s Short Tuesday.

I also really liked the inclusion of the loolies! In my mind, they were some sort of pale, distant cousin of the Teletubbies. Link had an opportunity here to take this story into full-on creepsville, but I appreciate that she opted for something else instead.

In essence, this story is more about impressions than anything concrete. That could be frustrating to a lot of readers, but if you’re looking for something moody and odd, then give this one a go.