I loved this short story! It features an MC whose sister was involved in a brutal, ritualistic killing at a rest stop by a cult based in Kansas. The bleak setting and the author’s rock solid voice had me sold from pretty much the first paragraph.
“No Exit” read extremely Lovecraftian to me, not just in terms of the evocative descriptive details and the too-monstrous-to-understand world-building, but also the format. I’m no Lovecraft expert, but a lot of what I have read by him involves pages and pages of exposition and set-up without any actual scenes, followed by a horrifying conclusion where we at last get a POV scene that thrusts us front row center into the madness. In this day and age where the popular writing style has such a focus on “show, don’t tell” and close first POV, it requires a really talented writer to pull off this kind of a story.
This is a fun one that has an eerie, slow crawl to the visceral details at the end. I can actually kind of see it as pairing well with another Nightmare Magazine favorite of mine, “Methods of Ascension” by Dan Stintzi. Anyway, I really enjoyed this and would love to read more by this author!
I had a really great time reading this short story! Yap’s language is very evocative, but the plot doesn’t get bogged down in language. The story is split between two different settings, the Philippines and California, and it has all sorts of textural details that just get me more interested in Southeast Asian horror. The imagery of the piece really caught me, and I was a big fan of the sudden, extreme body horror details. Normally I’m not big on trigger warnings, but anyone with young children or an aversion to icky might want to pass this one up. It reminded me of a short story by a Chinese author I read eons ago in college with a detail about an ant and a baby (no idea what it was or who the author was, but if anyone knows what I’m talking about, leave a comment below).
Also, can we talk real quick about one of Yap’s other works, Hurricane Heels? Because it totally sounds like a Sailor Moon send-up, and I would be really on board for that.
Anyway, this was a fun one, and it just wetted my appetite more for horror from this region. I’d love recommendations if anyone has them!
I thought this short story was a really fun read! It’s quite short, and the set-up is fascinating: a mysterious entity who interviews a small town under the pretense of being a news crew, then deletes their memories of the interview. Aliens, perhaps? I’d really like to see more of this type of framework, as well as some expansion on the purpose of these interviews.
I thought the dialogue was great, and I enjoyed the wide spread of people who were interviewed, from a grocer to a truck driver to a reverend. I did start to lose interest when one of the interviews got political near the end, and I thought the ending interview was a cheap way to end the piece, but the whole framework of the short story really worked for me. It was short and sweet; if you’re looking for a quick read with a great hook, I’d try this one out.
This short story didn’t inspire much horror in me, I’m afraid to say. Not much is happening throughout the story–you get some vague details about a woman escaping an abusive relationship with her two daughters, but nothing really comes together into a tangible story, to the point that I skimmed back through a couple times because I felt like I was missing something. (Maybe I am; correct me if I’m being an idiot over here!)
In terms of scariness, there’s not much here beyond a foreboding mood and a scary dream. Don’t get me wrong; in the right hands, an eerie mood and some well-written bad dreams can pack a wallop, but this short story wasn’t doing it for me. That’s a real shame, because I’m a sucker for horror set in the swampy South (Resident Evil 7: Biohazard, for example). Maybe with some expansion (this short story weighs in at a scant 2700 words) there could have been something here, but as is I can’t recommend it.
This week I went back to Old Faithful, i.e., Nightmare Magazine, to see what new short fiction they had on offer. I didn’t actually realize until I got to the end of “Elo Havel” that it’s by Brian Evenson, who wrote the excellent short story “Cult.” You can read Elo Havel for free here…
I liked “Elo Havel” okay, but it didn’t measure up to “Cult” in my opinion. The writing is strong, and there’s a lot of forward momentum, but the letter framework and the ending took away from the overall piece. This is one of those short stories that feels like it could be part of something larger, but because there isn’t any continuation of the story, what readers do have to work with ends up feeling hollow and incomplete. What’s going to happen to the main character? How did he even end up receiving a letter in his current state–did it just simply appear? Why is he so impatient to take action, when it seems he has all the time in the world in his changed state?
Some short stories manage to make their ambiguity satisfying, but that’s a tightrope line that most often ends in disappointment. I’m definitely up for reading more by Evenson, but “Elo Havel” was just so-so for me.
Thank you to NetGalley and Blackstone Publishing for sending me a free advanced reader copy of this book for an honest review. Shall We Dance? debuts January 28th.
Shall We Dance? started with a cute premise; a woman getting to know her two birth sisters purchases a dance studio and moves in with them above the studio. As she’s getting to know them, she’s simultaneously falling in love with her hot cop student.
Unfortunately, the plot spiraled off into a side plot that took away most of the attention from the main romance: the hot cop’s sister is hard at work overcoming her PTSD from a gang rape when she realizes she’s being stalked by one of her previous attackers. Normally I’m a big fan of strong subplots in romance, but this was such a large part of the book that it often felt like the romance plot between the MC and the cop had been entirely abandoned. Wooden dialogue did not help, nor a host of missed opportunities for good scenes. One of my romance pet peeves is when the author skips over important life events, and this book missed several, namely the proposal and the wedding. Surely I am not the only one out there who thinks it is absolutely senseless to gloss over a wedding when the entire point of the book is supposed to be the romance? Anyone with me on this? Because I see it allllll the time.
Anyway, Shall We Dance? remains very surface-level from start to finish; it never got past lukewarm for me, whether in the character relationships, the chemistry, or the plot. There will of course be sequels to this book–romance authors adore their big families!–but I won’t be picking up the next in the series.
This week I took a look at Tor.com for Short Tuesday to read “I, Cthulhu, or, What’s A Tentacle-Faced Thing Like Me Doing In A Sunken City Like This (Latitude 47° 9′ S, Longitude 126° 43′ W)?” by Neil Gaiman. You can read the story for free here…
This was one of those short stories that I can tell is technically great, but that I had a difficult time fully immersing myself in. A good heaping of that is due to the whimsical tone of the piece; I don’t have an issue with whimsy per se, but it has to hit me right. The Sookie Stackhouse series is just perfect in this regard (for example, I adore the notion of a vampire Elvis–excuse me, Bubba), but anything that veers tonally towards Hitchhiker’s Guide to the Galaxy or Good Omens I’m going to have a difficult time with. I never want my fiction to have a smarmy, “aren’t we all so clever for liking this” feel. I mean, just look at the title of the piece; I couldn’t even type it in right to my WordPress blog tags. 😡 Or maybe I’m just in a grumpy mood today, lol.
So this story was mildly entertaining for me, but I was happy it was short. As always, the Lovecraft touches are a winner for me, and Gaiman’s breadth of language was a breath of fresh air. If you like Neil Gaiman and Lovecraft, this story’s a no-brainer, but personally it was only okay.
Big note at the beginning of this review is that not only did I receive an ARC of A Violet Fire for a free and honest review by the author, but that Kelsey Quick and I have become author buddies along the way! I helped her with some of the late-stage editing of AVF, provided cover feedback, and we also talk shop about author stuff. So this review is biased fo sho! But I still wanted to get up a review. 🙂
I had tons of fun reading A Violet Fire. Anyone who’s spent time around these parts knows I’m a big vampire fan, and A Violet Fire was just the right strain of different to keep me glued to the page. I loved the world-building; save for The Passage by Justin Cronin, which I didn’t entirely get along with, I’ve never read a vampire book where vampires have taken over the world. The premise here is simple and makes for great romantic power dynamics: vampires in this universe own humans like cattle, and our human MC, Wavorly, is a blood supply unit of hot vampire bad boy Zein. Yeah, it sounds a little fucked up on paper, but if you’re like me and love a Beauty and the Beast backbone, then this is a book to put on your list.
Quick has a voice for YA, and the book moves swiftly. It does have a first book feel; by that I mean that you can tell it’s gone through a lot of editing and has some patches, but I don’t really deduct for that since every author has a first book. It was all the little touches I enjoyed most: Wavorly’s friendships, the way she uses French to her advantage, her insistence on human dignity, the dark and lush imagery. Reading AVF is kind of like eating candy; the two are nothing alike story-wise, but I was reminded of the momentum I felt when I read The Selection a few years back. It’s just fun.
I’m excited for the sequel to AVF, which I believe is slated for release next year. Vampires are back in YA, thank the lord! And a big congratulations to Kelsey again; as I said in my interview with her, I’ve never seen an indie author put so much effort into a release, and I admire her as a fellow author businesswoman. I will definitely be reading book two.
This short story was right up my alley–some body horror mixed with Lovecraft (oh, those non-Euclidean geometries!), all with an I-found-it-on-the-Internet framework. The premise of the story is that the MC’s brother has been following the online coursework of a man who promises to be able to help him access other planes of reality via his dreams. The MC, his brother, and his brother’s friend are all down on their luck or seemingly on the outskirts of society; it was never mentioned in the story, but I couldn’t help thinking about how a lot of men in the US who have dropped out of society have fallen into opioid addiction. Sad and isolated people can be drawn to dangerous and unhealthy things, and that’s exactly what happens to these guys as they get sucked into an alternate and terrifying reality.
The tone is equal parts ethereal and grounded: great poetic imagery, but the MC doesn’t hesitate to talk like a normal person.
“Freud said that the buildings inside our dreams are pulled from a collective pool of unconscious architecture.”
“What the fuck are you talking about?”
“It’s an evolutionary development. The blueprints are engrained in our DNA. Every single person. If you learned to dream actively you could walk the rooms of these dream places and every time you returned, they’d be exactly the same.”
“I genuinely don’t understand.” I zip, zip, zipped a line of screws into the drywall and Rob took his hands away. It floated there like a kind of magic.
What else was great about this? The woodsy setting was perfect, along with the descriptions. And best of all, it has a great horror ending that fits the rest of the piece, hallelujah. That’s not always common ’round these parts. So if you’re feeling up for a bit of horror as we move into the dark months of winter, give this one a try; it’s good fun.
Hey, one more thing: on the off-chance that the author reads this post (which has actually happened in the past), or really anyone who has ever written short fiction, I really recommend you get your short fiction listed on Goodreads! I always try to post reviews of short fiction on GR if possible, and it can be a crapshoot whether the stories are there or not. I was pretty bummed to see that this author is only listed in anthologies on GR with no individual story entries; he’s so good and should really list his stories separately! Short fiction can be a great way to start gathering a fan base (I often add books by Short Tuesday authors to my TBR) so why not use your short fiction to its full potential? Just my two cents.
I loved this short story! It’s set in Nigeria and incorporates tons of the local flavor, in terms of the dialogue, setting, and local superstitions. I’m realizing that maybe I have a thing for African horror, since I also love the South African duo S.L. Grey–maybe I should put in a conscious effort to read more genre fiction from that area of the world, since I always find the African-tinged worldbuilding so fascinating.
All the body horror fans listen up, because this story is for you. If you’ve ever wanted a first-person view of what it’s like to turn demonic, with all the gory teeth-gnashing and claw-growing details, definitely check this one out. That’s the story in essence–as simple as a poor high school boy who is unlucky enough to go through a second monstrous puberty. The author gets it done with vivid imagery and a pacing and tone that I found riveting and oddly poetic. It was the kind of story where I just couldn’t look away; if you’re looking for a quick horror read, this is one I highly recommend.