Well, I did it–I read the short story that at one point reached #144 on the entire Kindle story. “Kissing the Coronavirus” came onto my radar via a writing friend. (“Have you heard??” etc. etc.) Welp, I’ll admit it shamelessly: 99 cents was too sweet a deal to pass up, and it took all of thirty seconds before I hit the Buy Now button. (It’s also free in KU.) Here’s the link if you want to buy it yourself…
What’s the story about? I figure the cover speaks clearly enough about that, but essentially our horny MC is working in a research lab searching for a COVID cure and has trouble containing herself around the mesmerizing, “bubbling, creamy liquid [sloshing] around the inside of the [test] tube.” After that, sexual chaos ensues.
There are some really great lines here, like:
Alexa’s heart fluttered like it had one the time she’d fucked the farmer’s cross-eyed son and uncrossed his eyes.
Alexa edged back, pushing back until her back pushed back against the wall.
Disturbingly, one blockhead reviewer on Amazon rates the story one star in part for the above sentence. Awful writing, one star! Goodness gracious, is 2020 the year that humor officially died?
I’ve seen some claims that this is tasteless and shouldn’t have been written; I never really buy arguments like that, since “Kissing the Coronavirus” is abundantly obvious about what it is, and you could just choose not to read it. I also don’t think anyone’s getting off to this–or maybe they are, I don’t know. Strange times and all that. Anyway, I’m glad I gave it a read, and I think, given it’s one-of-a-kind nature, that really there is only one way I can rate this story.
So let’s get this out of the way at the front end of things: I am not an economist, nor am I a fortune teller. 🙂 However, I do like to think I have a decent understanding of the publishing industry, so I thought it might be interesting to put together some predictions for how the current pandemic and resulting economic fallout could impact publishing and books. Definitely leave a comment down below with your own thoughts and predictions–I’d love to know what others think about this!
- Many smaller presses are going to go under. Publishers who use a traditional business model are already facing such economic pressure that the coronavirus is unfortunately going to be the nail in the coffin. Things like renting a space in NYC and employing an HR department, admin assistants, a marketing department, and on-staff cover artists and copy editors will become simply too expensive.
- Smaller and larger presses alike are going to back out of many book deals with new and especially midlist authors in favor of deals that seem like a sure success. I would not be at all surprised if authors who have a publishing deal find that deal rescinded or indefinitely delayed. The midlist problem, commonly understood as publishers betting on blockbuster books and no longer offering much support or sizable advances for midlist authors, will intensify even further.
- Readers who have been loyal to paperback and hardcover books are going to give ebooks and audiobooks a try, since it’s tougher right now to get physical copies. (For those who don’t know, Amazon is prioritizing stocking their warehouses with essential items right now, which has a direct impact on if you can buy a trad-pub book online.) For many readers, a shift to ebooks or audiobooks won’t be just a temporary measure but will change reading habits permanently.
- Prices of ebooks (generally much higher for trad-pub books than indie books) are going to fall as traditional publishers try to grab readers’ dollars in whatever way they can.
- Expect to see a rise in trad-pub ebook sales, not just from readers switching from hard copies to ebooks out of necessity, but due to the lipstick/nail polish index phenomenon, where people tend to purchase items of smaller value for psychological comfort in times of economic distress. People also have more free time, so some people will spend that time reading more than they have in the past. I believe this last point applies more to readers in the traditional sphere, since whale readers appear to read more indie books through services like Kindle Unlimited. That is to say, the whale readers are already reading tons, and I doubt they will be reading even more than they already are.
- A longer-term prediction: as people working in trad-pub begin working from home or are laid off, NYC will slowly lose its status as North America’s trad-pub mecca.
- In response to trad-pub’s prices coming down, indie authors will lower their prices to remain competitive. We might see the return of the 99 cent ebook.
- “Hybrid” publishers who publish using many of the tips and tricks used by indie authors will snatch up books by authors who had a trad-pub deal and don’t want to put in the indie effort.
- Indie and hybrid book sales will temporarily dip in the next month due to readers’ current stress levels, but then experience a fairly swift rise because of readers having more free time, as well as the lipstick/nail polish index (mentioned above).
- This one’s a long shot, but print sales might go up for indie authors? I can vaguely envision a reader who is super-committed to reading only physical books not being able to get copies of trad-published works, so ordering indie books that look interesting because indies can still print and ship according to demand.
- No-brainer: we’re going to see a veritable tsunami of pandemic stories releasing, starting in about two months’ time from the indie crowd and two years’ time for trad-pub. Post-apocalyptic stories will probably also experience a rise, as well as speculative horror with a disease focus. I’m not sure if I’ll personally be wanting to read these types of stories after all this craziness, though!
- We’re also going to see a rise in stories with a feel-good/fluffy feel–cute romances, beach reads, etc. Perhaps a return of chick lit?? New Adult with a chick lit feel seems like it would be a grand slam–something like Bridget Jones’ Diary but with the MC aged down to twenty-two.
- Due to traditional publishers only wanting to bet on sure successes, there will be an even greater pressure on highly successful trad-pub authors to bring their books to market faster (authors like VE Schwab, Sarah J. Maas, etc.). Expect to see lower quality stories from trad-pub authors, since they will be under pressure to rush their process along.
- Since it will be harder to get trad-pub deals, more authors with serious writing chomps will start to indie/hybrid publish. This means that authors won’t be going through the lengthy trad-pub editing process with a need to get a go-ahead from the business/marketing team. That means we will hopefully see more innovative story lines!
So those are my predictions–what do you think? I’m beyond curious to know what impact you guys think the coronavirus will have on the publishing industry and stories in general, so leave a comment below!