Tag Archives: netgalley

ARC: The Sound of Stars by Alechia Dow

Thank you to NetGalley and Inkyard Press for sending me a free advanced reader copy of this book for an honest review. The Sound of Stars debuted February 25th.

Apologies in advance that this review borders on a rant, but I feel a compulsion to fully express myself. Could be I get some anger for this post–I guess that’s just the risk you run sometimes.

If there’s one thing that can be said about The Sound of Stars, it’s that it doesn’t try to hide what it is. I was pretty excited to read this book–I mean, hello, I’m writing an alien romance, and this book is an alien romance–but from the very first paragraph I could predict this book would be a struggle due to its strong ideological bent.

The invasion came when we were too distracted raging against our governments to notice. Terror had a face and we elected it, my mom said. We were more divided than ever, and that division made our defeat easy.

Listen, I’m not saying that politics doesn’t have a place in books–if politics fit the plot, by all means have at it. However, this book (which is a YA alien romance, remember) is so steeped in progressive and leftist ideology that it’s not far off from propagandistic. In fact, as I read some passages aloud to my husband, he even asked me if it might be parody. (It’s not.) To give one example, Janelle, the MC, suffers from anxiety and frequently employs a counting technique to calm herself.

Five, Tamir Rice, Heather Heyer, Emmett Till, Oscar Grant, Nia Wilson. Four, little church girls, Addie Mae Collins, Carol Denise McNair, Carole Robertson and Cynthia Wesley. Three, Tree of Life. Christchurch. Emanuel African Methodist Episcopal Church. Two, people out shopping, Maurice Stallard and Vicki Lee Jones. One, so many–too many–black transgender women to name.

Nobody is going to convince me that the above is good writing. Am I really supposed to believe that all that is going through her head while she’s warding off a panic attack? It’s like some bizarre leftist take on Arya Stark’s kill list.

Let’s go more in depth about the main character as well. Janelle is black, bisexual, “demi-ace,” overweight, with a thyroid problem, and diagnosed depression and anxiety. All of that is okay, of course.

Can you hear the “but” coming? I have a real issue with the current push for “representation” in books, because it has ruined many, many characters for me. Often it feels like authors, especially in the YA world, throw statuses and traits onto their characters like stickers, as if to tick off items on a checklist. I want to have all types of characters in books, but I want those characters to appear organically, rather than just so the author can triumphantly proclaim, Oprah-like, “Ah-ha, here is a person of color, and here is the LGBT character, and here is the character with a medical diagnosis!” So with an MC like Janelle, I found myself reading her characterization as basically a marketing strategy rather than anything that enhanced the book. Is that way of thinking fair to all the characters out there who are LGBT, suffering from various diagnoses, etc? No, but that is the sad place where the “representation” push has led me, and I’m willing to bet a lot of money that others feel the same. The whole thing is a catch-22.

So when it came to understanding Janelle, she felt incredibly surface-level, as if she had been designed by Tumblr committee, or perhaps Vice’s dildo-firing squad.

And setting character aside, the plot and the world-building weren’t gripping enough to get me to forgive all the politics. It’s a pretty standard aliens-taking-over-the-world story, and the tech wasn’t cohesive; it came across to me as magical hocus-pocus instead of futuristic technology that sorta-kinda made sense.

There is a cringiness to this book, too, that would not let up. The MC loves reading, especially YA, and there was all sorts of name-dropping that crossed the line from referential into self-congratulation. It gave me a strong “breaking the fourth wall” type of feeling.

I wonder if that’s how Wylan felt when he finally kissed Jesper, or Dimple and Rishi’s first–no, second–kiss…

Pair all that with many new world-building concepts being thrown in at the eighty percent mark of the book. Pair it again with a deus ex machina. Then add on unrelenting and awkward progressivism. (The alien love interest cannot tell if a human is a man or a woman, for example, until they identify themselves… Oh, but he can easily suss out that Janelle is a girl in the beginning of the book by her name alone. Hmm…)

Well, this was just a really tough sell.

I constantly found myself wondering while reading what an author of a book this political would say if she knew a conservative woman was reading–a conservative woman who, by the way, has not hesitated in the past to read and praise books with a differing ideological lens. I don’t necessarily write off books just because I don’t see eye-to-eye with the author’s politics. Would the author of The Sound of Stars be disgusted by someone like me, who just wanted to read a new-to-market trad-pub alien romance? Or would she not even suspect readers like me exist at all? Hopefully it would be neither one of those extremes, because both are very disheartening.

I remain a reader desperate for well-written alien books, especially alien romance. I was betrayed by aliens last year, twice, and I feel yet again extremely disappointed. (The Humans was great, to be fair.) I am begging the universe–please let the next alien book I read be good. And if there are any authors reading this post, please try to understand that readers like me exist and don’t hate me for it.

ARC: Mageborn by Jessica Thorne

Thank you to NetGalley and Bookouture for sending me a free advanced reader copy of this book for an honest review. Mageborn debuted February 18th.

Jessica Thorne’s book The Queen’s Wing blew me away last year; I fell in love with its characters, its science-fantasy feel, and the can’t-look-away plot. So when I saw that Thorne has a new series out, I immediately hit the request button on NetGalley. Mageborn was an all right read for me, but I don’t think that it measures up to Thorne’s other series, unfortunately. In all honesty, I do think that because I’ve read the other series and know Thorne’s potential, this knowledge kept me from fully falling in love with Mageborn.

The premise is pretty interesting–a woman who tracks down rogue magic users is given an assignment that puts her in close contact with the heir to the throne. There’s a lot of your standard fantasy tropes: court intrigue, prejudice against those with magical abilities, shaky or repressed memories, brewing rebellion. I saw some people on Goodreads complaining about the Graceling and Sarah J. Maas comps–I don’t see much of SJM in Mageborn, but I was reminded of Graceling throughout, especially because of the jumbled memory thread of the plot. The problem is that Graceling did it much better. It’s been a while since I read the trilogy, but it sticks pretty heavily in my mind, and I’m not sure if Mageborn will. I enjoyed it while I was reading, but there wasn’t one thing that stuck out to me as setting the book above other fantasy.

There’s another thing that I debated mentioning, but I’m just going to go ahead and say it: there are too many fragmented and repetitive sentences in this book for my taste. I don’t remember Thorne’s other series relying on these stylistic choices so much, or perhaps the intense plot of that series made it so that I didn’t notice. I noticed it here, though, a lot; it feels like you can’t go two sentences without a fragment or repetition. For example:

She didn’t pull away and for that he was grateful. Stupidly grateful.

Or this one, which takes the repetition to a ridiculous level:

“Tell him… tell him I didn’t want this. I didn’t want any of this.”

“He knows, pet,” said Simona. “Divinities protect and defend you, he knows.”

Did you count? That’s tell him, I didn’t want… this, and he knows, all repeated in the span of twenty-six words. Don’t get me wrong; repetition can be a powerful tool for writers to place emphasis on something, but you can’t go a page in Mageborn without seeing Thorne leaning on these writing tricks. It got old for me fast, sadly, in the same way that SJM’s writing can wear on a person.

Essentially, I had decent fun reading this book, but it didn’t leave me with a deep impression. Maybe I’ll pick up the next in series, but mostly I’ll be hoping for a third in Thorne’s other series, since there are still a lot of plot threads left to explore there.

House of Earth and Blood by Sarah J. Maas: First Impressions

I was super excited to get an email from Netgalley a couple days ago with an invitation to read a five-chapter excerpt of SJM’s new series. I’ve been a fan of SJM since she was posting the first draft of the Throne of Glass series on Fictionpress circa 2004ish, so of course I was interested in this new series.

The first chapter was rough for me, I’ll admit. While I was reading, I was having visions of writing some clickbaitey title for this post: I read an excerpt of SJM’s new series and it was… okay… Here’s the thing: Maas tends to write in a very samey way. A lot of readers won’t notice it, but she loves characters that “swagger” or “stalk” into a room, and she loves discussing the sharp “tang” of blood. (I could give lots more examples, but these three are the ones that really spring to mind, and all of these pop up in the excerpt.) I think that tendency in her writing isn’t so apparent in SJM’s earlier books, perhaps because she had more time to write them, but I suspect that the book-a-year trend, combined with the long length of her books, makes it so that her most recent books blur together for me prose- and tone-wise.

But I also don’t think this is just a SJM thing, but a me thing. As a writer myself, I’ve been actively developing and honing my craft for the past five years, and my tastes have changed. I’m not huge on pages of snarky dialogue anymore, which SJM tends to sprinkle liberally throughout her books. I also have pretty strong opinions on adjective, adverb, and dialogue tag use, opinions that I do now find at odds with SJM’s writing–but just because another author writes differently than I do, it doesn’t mean their work sucks. So I think part of what had me raising my eyebrows while reading the first chapter of House of Earth and Blood was due to me being a different reader than I used to be.

I liked the later chapters, though. I do anticipate I’ll pick up this book and finish it, though perhaps I’ll wait until I’ve finished up the Throne of Glass series. (I still have the last one to get through.) The book has some really interesting worldbuilding: a modern, urban fantasy-like feel set in another universe with angels, fae, witches, and everything in between. It’s three stars for me at the outset, and I’m curious to see how the rest of the book turns out.

I’m also curious to hear your thoughts on whether you like your favorite authors’ books to feel “samey.” Do you mind if an author’s books all feel very similar to each other? Do you notice when an author uses the same words and phrases frequently throughout their work, and does that bother you? Let me know what you think!

ARC: A Longer Fall by Charlaine Harris

Thank you to NetGalley and Saga Press for sending me a free advanced reader copy of this book for an honest review. A Longer Fall debuted January 14th.

Oh man, I’m falling in love. There’s nothing like a book by my hero, Charlaine Harris, to do all the things–thrill, terrify, and inspire love and hate and everything in between, all with rock-solid prose. The first book in the Gunnie Rose series, An Easy Death, was a very solid four-star read for me, and A Longer Fall takes it to the next level.

If you’re not familiar with the series, it follows sharp-shooter-for-hire Lizbeth Rose on her perilous adventures in an alternative history America that’s been split into multiple countries: Texoma, New America, Dixie, Britannia, the Holy Russian Empire. (I might have missed one in there.) Since this is a book by Charlaine Harris, there’s more than a dash of magic sprinkled over the book (there are real wizards here who work real magic), as well as a good dose of mystery and thriller elements. I’ve long thought that the Western genre is due for a reboot, and this genre-bending series feels like a perfect step in that direction.

I’ll admit that it took me a little bit of time to warm to the main character in An Easy Death, as she is over-the-top practical and straightforward. In this next entry in the series, I really felt the characters got their moment to shine and grow. Yeah, yeah, the plot’s good and all, but it’s on a book’s characters to propel a book from good to great. As the book wrapped up, I was on Goodreads immediately searching out info on the next book. The good news is that it’s coming; bad news is that I can’t find a date listed. Mehhhhh.

Basically, if you are looking for a genre-bender or you’re a Harris fan, you should be reading this series. I loved it, and I’ll be first in line for a copy of the next book.

ARC: Diamond City by Francesca Flores

Thank you to NetGalley and St. Martin’s Press for sending me a free advanced reader copy of this book for an honest review. Diamond City debuted January 28th.

I requested an ARC for Diamond City because I’m a Sarah J. Maas fan, and (flawed though it may be) I think the conflicted lady assassin trope is pretty fun. The first chapter or two of Diamond City started in an okay spot, but it unfortunately went swiftly downhill from there. Where Maas was able to make her main character assassin mostly work, Flores unfortunately flounders; the MC in this book often wonders things like, Would my parents be proud of me even though I kill people for a living? or Do you think this cute boy and I might have a romantic future even though I tried to kill his older brother?

As people funnier than me have said, the short answer to both these questions is no. The longer answer is noooooooooo.

I just can’t buy the main character. She’s a badass assassin, but she’s deathly afraid of spiders, opts for knives over guns, and spares key characters’ lives at multiple points in the book. It’s an issue I often see with these types of killer characters: they’re supposed to be oh-so-hardcore, but the author can’t let the characters be their brutal selves on the page because it will turn off readers.

But even beyond the characters, I couldn’t find much to recommend this book. The world-building is a confusing mishmash of heritages and cultures that were difficult to keep straight, all with a vague backdrop of an outlawed religion and magic system that places heavy importance on diamonds–diamonds which are traded at high price on the black market, but actually there are oodles of them around. (???) The language of the book, too, did not help matters; the fight scenes especially were wooden and very “this happened, then this, then this”–not good for a book about assassins where there’s bound to be a lot of fighting. There’s also not much of an artistic or lyrical quality to the prose, and I found myself predicting plot points at every turn, so… without compelling characters, beautiful language, a riveting plot, or engaging world-building, I really came up empty on this book. I do feel bad about the poor review for this debut author, but Diamond City is in need of significant revision and critique.

ARC: Shall We Dance? by Shelley Shepard Gray

Thank you to NetGalley and Blackstone Publishing for sending me a free advanced reader copy of this book for an honest review. Shall We Dance? debuts January 28th.

Shall We Dance? started with a cute premise; a woman getting to know her two birth sisters purchases a dance studio and moves in with them above the studio. As she’s getting to know them, she’s simultaneously falling in love with her hot cop student.

Unfortunately, the plot spiraled off into a side plot that took away most of the attention from the main romance: the hot cop’s sister is hard at work overcoming her PTSD from a gang rape when she realizes she’s being stalked by one of her previous attackers. Normally I’m a big fan of strong subplots in romance, but this was such a large part of the book that it often felt like the romance plot between the MC and the cop had been entirely abandoned. Wooden dialogue did not help, nor a host of missed opportunities for good scenes. One of my romance pet peeves is when the author skips over important life events, and this book missed several, namely the proposal and the wedding. Surely I am not the only one out there who thinks it is absolutely senseless to gloss over a wedding when the entire point of the book is supposed to be the romance? Anyone with me on this? Because I see it allllll the time.

Anyway, Shall We Dance? remains very surface-level from start to finish; it never got past lukewarm for me, whether in the character relationships, the chemistry, or the plot. There will of course be sequels to this book–romance authors adore their big families!–but I won’t be picking up the next in the series.

ARC: Good Girls Lie by J.T. Ellison

Thank you to NetGalley and MIRA Books for sending me a free advanced reader copy of this book for an honest review. Good Girls Lie debuted December 30th.

Good Girls Lie from start to finish felt like a book in conflict with itself. It’s not being marketed as YA, but many of the main characters are teenagers–though their dialogue speaks otherwise. The book is set at a boarding school, so there are the requisite secret societies, girl-on-girl drama, school murder, et cetera… but somehow it feels throughout the book like nothing is happening. And then the adult main characters (remember, this is supposed to be for an adult audience) fall seriously flat; I cared about a grand total of none of them, even as the author is dragging them through romantic twists and important life decisions.

The dialogue was the real death of me in this book. Much of it was entirely out of character, and nothing sounded like it would come from a teen’s mouth–way too staid and old-fashioned. Here are a couple examples:

  • “Are you well, Camille?”
  • “I’ll bid you goodnight.”
  • “Then your insult was not only ill-advised but inaccurate and illogical.”

It felt like the author had never spoken to a teenager in her life. To make matters more difficult, there weren’t many dialogue tags included, so it often became difficult to follow conversations. I’m a fan of keeping dialogue tags on the sparser side myself, but I still recognize that you need to include enough of them so that readers have a sense of who’s talking.

Basically it felt like there was too much crammed into the book, and yet nothing was going on, and even worse, the characters were not nearly fun enough to hold up a book with little plot. I just think that there are so many other books that tackle similar subject matter in a more satisfying fashion. School murder, with people playing the blame game? One of Us Is Lying. Boarding school drama? Maureen Johnson. Young-feeling thriller with a twist at the end? Lock Every Door. Unfortunately I did not get on well with this book, and the writing style makes me wary of picking up another book by this author.

ARC: A Violet Fire by Kelsey Quick

Big note at the beginning of this review is that not only did I receive an ARC of A Violet Fire for a free and honest review by the author, but that Kelsey Quick and I have become author buddies along the way! I helped her with some of the late-stage editing of AVF, provided cover feedback, and we also talk shop about author stuff. So this review is biased fo sho! But I still wanted to get up a review. 🙂

I had tons of fun reading A Violet Fire. Anyone who’s spent time around these parts knows I’m a big vampire fan, and A Violet Fire was just the right strain of different to keep me glued to the page. I loved the world-building; save for The Passage by Justin Cronin, which I didn’t entirely get along with, I’ve never read a vampire book where vampires have taken over the world. The premise here is simple and makes for great romantic power dynamics: vampires in this universe own humans like cattle, and our human MC, Wavorly, is a blood supply unit of hot vampire bad boy Zein. Yeah, it sounds a little fucked up on paper, but if you’re like me and love a Beauty and the Beast backbone, then this is a book to put on your list.

Quick has a voice for YA, and the book moves swiftly. It does have a first book feel; by that I mean that you can tell it’s gone through a lot of editing and has some patches, but I don’t really deduct for that since every author has a first book. It was all the little touches I enjoyed most: Wavorly’s friendships, the way she uses French to her advantage, her insistence on human dignity, the dark and lush imagery. Reading AVF is kind of like eating candy; the two are nothing alike story-wise, but I was reminded of the momentum I felt when I read The Selection a few years back. It’s just fun.

I’m excited for the sequel to AVF, which I believe is slated for release next year. Vampires are back in YA, thank the lord! And a big congratulations to Kelsey again; as I said in my interview with her, I’ve never seen an indie author put so much effort into a release, and I admire her as a fellow author businesswoman. I will definitely be reading book two.

ARC: Safe Harbour by Christina Kilbourne

Thank you to NetGalley and Dundurn for sending me a free advanced reader copy of this book for an honest review. Safe Harbour debuts December 10th.

Safe Harbour is one of a few books I’ve read this year that I’d put in the category of “issue books,” i.e., books that focus on particular real world situations that might not affect all readers, but help give insight and understanding. Myself I wouldn’t normally peg as an issue book kind of reader since I can really bristle at anything that feels too preachy, but Safe Harbour really spoke to me; I was rooting for the MC from page one, especially because she’s in such a perilous situation: a fourteen-year-old on her own in Toronto waiting for her transient father to arrive on his boat. All she has to her name is a tent, a meager stash of cash, a maxed-out credit card, a phone, tuna cans, and soda crackers–oh, and she has a dog that she also has to provide for. And winter is coming, and the MC, who is used to warmer Florida weather, has no idea of the scope of a northern winter.

It’s an unlikely story, but Kilbourne does a great job helping readers see how events could have led to this point. Be prepared for a harrowing story: Safe Harbour illustrates real nice and clear how easily someone can become a victim of sex trafficking, lose a finger to frost bite, or let love (for example, for a pet or a family member struggling with mental illness) keep you from taking steps toward safety. Things worked out okay in the end, but I was praying for the MC along the way.

The characters are the shining feature of this story. For once, I was fully on board the unreliable narrator wagon–I’m not always into unreliable narrators, but I thought it worked splendidly for Safe Harbour. I did think the end wrapped up a bit too neatly and wasn’t that believable, but it didn’t spoil the book in any way. If you’re looking for an issue book that will take you on a roller coaster of emotions and doesn’t get too preachy, Safe Harbour is a good choice.

ARC: Hart & Seoul by Kristen Burnham

Thank you to NetGalley and Mascot Books for sending me a free advanced reader copy of this book for an honest review. Hart & Seoul debuted June 4th.

I’m digging all the Korean- and K-pop-themed YA recently; this is the first of them that I’ve read, but I have a whole slew of them on my TBR. I used to be a big K-pop fan back in middle and high school–ya know, a hundred years ago or thereabouts–so it tickles me pink that everyone’s feeling the Korea love nowadays. 🙂

Anyway, Hart & Seoul is a cute, fast read that is not without its flaws. I enjoyed the MC’s voice, and I especially liked the banter between her and her K-pop star love interest. The details about the K-pop super fans were tons of fun, and I was so craving Korean food by the middle of this book that I had to make a pit stop at Bonchon on the way home from work.

However, I had some difficulties with this book. First off, I initially had a hard time placing Hart & Seoul as a YA book; for some reason I was getting the impression that it was New Adult from the first chapter, then had to walk back the age of the MC in my mind by a couple years. I also found all the plot twists very predictable, most of them by at least fifty pages. Reading was still enjoyable, but I was forever waiting for the very obvious other shoe to drop. I also wasn’t satisfied with the love interest’s explanations for some of his behavior at the end of the book. His words seemed cheap–no spoilers, but I wouldn’t keep dating this guy. Of course, I’m also a thirty-year-old lady, so I’m not exactly smack dab in the middle of this book’s target audience. 😉

I think if you’re into the K-pop scene or interested in Korean culture then you should really consider reading this book. I had fun with it, but that’s fun** with a couple asterisks attached. Now let me wrap up this review quick, before I start craving Korean barbecue again. 😀